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Here it comes again — that deep longing to go home. I usually get homesickness in faster rolling waves as the weather heats up in the desert, and I’m really looking forward to our trip to Wisconsin this summer.
Humanity's home planet hardly merits the name-check in "After Earth," M. Night Shyamalan's sci-fi survival tale whose shipwreck action could (with the exception of a scene where our hero scrawls a crude map over Lascaux-like cave paintings) take place on any old life-supporting globe in the cosmos. The disappointingly generic film, which strands a father and son (Will and Jaden Smith) on Earth a thousand years after a planet-wide evacuation, will leave genre audiences pining for the more Terra-centric conceits of "Oblivion," not to mention countless other future-set films that find novelty in making familiar surroundings threatening. Will Smith's presence, not just as co-star but as originator of the story, seems likely to carry box office receipts beyond the benchmark of Shyamalan's previous picture, the wretched "The Last Airbender," but those hoping for a franchise should navigate elsewhere.
The Breast Cancer Society has announced a call for entries for educational scholarships to breast cancer survivors and their children. The Empower One Scholarship and Hope Scholarship programs assist those who have been affected by breast cancer with obtaining a college degree or trade certificate.
The adage “truth is stranger than fiction” is proven in “The Lost Wife,” by Alyson Richman. She has succeeded in blending both for an unforgettable reading experience.
"The Lost Wife" is much more than a love story. Richman�s four years of research including interviews with concentration camp survivors is historical fiction at its finest, portraying actual places and including real people alongside the fictional characters.
When one thinks of the Holocaust film genre, dramas such as “Schindler’s List” and “The Pianist” instantly come to mind for their harrowing portrayals of victims and survivors who suffered at the hands of Nazis. But what about the German survivors – more specifically, the children of Nazi war criminals forced to come to terms with the atrocities of their parents? This is a question posed by the exceptional new German-language film, “Lore,” Cate Shortland’s follow-up to her acclaimed 2004 feature “Somersault.”
"Oblivion” is another movie that seems better suited for a video game than a motion picture. Watching the characters engage in endless shoot outs and explore vast, abandoned terrains, all you want to do is get your hands on a controller. Since a movie is unequipped with game play, though, you’re forced to sit back and merely observe the story. Then again, most modern video games have more three-dimensional characters and smarter plots than “Oblivion.” This science fiction mystery from director Joseph Kosinski isn’t completely without some good ideas, elevating it above “Transformers” schlock. It’s just unfortunate those ideas never meld into anything that intriguing.
"It’s been 10 years, now,” the strong voice said on the phone. Mari Justin is a breast cancer survivor. She, along with hundreds of thousands of breast cancer veterans have faced the demons and now crusade alongside those who are fresh on the battlefield.
Domestic violence is a problem that hits all neighborhoods.
Mae Maiefski and Anastasia Pushkarenko of Mountain Pointe girls tennis are several local athletes still alive in the Division I state tournament.
Spurred by the pleas of a widow of a Department of Public Safety officer, Gov. Jan Brewer signed legislation Friday to ensure that survivors of fallen police officers and others have taxpayer-provided health insurance for as long as they need.
Watched by the widow of fallen DPS officer Bruce Harrolle, Gov. Jan Brewer signs legislation Friday that will immediately entitle the spouses of police, firefighters and corrections officers killed in the line of duty to lifetime health benefits.
If a big, dumb action movie knows it's a big, dumb action movie and revels in that fact, is that preferable to a big, dumb action movie making the mistake of thinking it's significant, relevant art?
That's the question to ponder — if you can think straight and your ears aren't ringing too badly — during "G.I. Joe: Retaliation." This sequel of sorts to the 2009 blockbuster "G.I. Joe: The Rise of the Cobra" seems to have some cheeky fun with itself, from Bruce Willis cheerily revealing the arsenal he's hiding in his quiet suburban home to RZA from the Wu-Tang Clan essentially showing up and playing himself. A major city is obliterated with the touch of a button and several others are in peril as the world hinges on nuclear destruction in what amounts to a hammy game of chicken.
Nothing matters really. This is a movie based on a Hasbro toy, after all — it's all spectacle and bombast. But at least "G.I. Joe" is aware of its vapidity compared to, say, last week's "Olympus Has Fallen," in which North Korean terrorists took over the White House in self-serious fashion but our secret-service-agent hero found time to make wedged-in, smart-alecky quips on the way to saving the day.
That's not to say that this "G.I. Joe" is good, aside from a couple of dazzling action set pieces, but at least it's efficient in its muscular mindlessness.
The elite military team of Joes, now led by Duke (Channing Tatum, returning from the first film), is sent to Pakistan to recover some nuclear weapons. But they find themselves double-crossed by their own government, led by an imposter president, and lose many among their ranks in a massive ambush. The survivors — Roadblock (Dwayne Johnson, reliable as ever), Flint (D.J. Cotrona, who's given no personality) and Lady Jaye (Adrianne Palicki, in full makeup for covert ops) — must find out who's running the country and get to the bottom of this villain's dastardly plan.
Turns out it's master of disguise Zartan, part of the enemy group Cobra, who's posing as the president while the real commander in chief is locked up in a bomb shelter. (Jonathan Pryce plays both roles; he's far too qualified for even one of them.) The three Joes realize they need help to bring him down, so they round up the far-flung Snake Eyes (Ray Park), the petite warrior Jinx (Elodie Yung, whose character trains with the Blind Master, RZA) and the reluctant Storm Shadow (Korean superstar Byung-hun Lee, an athletic and elegant specimen).
They also need some firepower, so they track down Willis' Original Joe, Gen. Colton, who provides his own personal gun show. (You'd never know there's a gun control debate in this country from watching this movie; it's all very macho and rah-rah. The flip side is, none of the casualties from all this sophisticated weaponry results in any blood. This is an astonishingly violent PG-13 movie.)
"Retaliation" initially was scheduled to come out last summer, but the studio pulled it and delayed its release to convert the movie to 3-D. With a director like Jon M. Chu, who's shown a flair for integrating 3-D with the dance extravaganza "Step Up 3D" and the concert film "Justin Bieber: Never Say Never," why not just shoot it that way in the first place? As it stands now, the extra dimension doesn't add much, and often is used in that simplistic, tried-and-true way of flinging things at us from the screen: bullets, throwing stars, etc.
There is one absolutely astounding extended sequence about halfway through, in which two teams of ninjas face off in a battle on the sheer cliff faces of the Himalayas. Using cables and zip lines, it's as if they're running, leaping and practically dancing on walls in the sky — a breathtaking piece of choreography in its own right, regardless of the dimension through which it's viewed.
"G.I. Joe Retaliation," a Paramount Pictures release, is rated PG-13 for intense sequences of combat violence and martial arts action throughout, and for brief sensuality. Running time: 110 minutes. Two stars out of four.
Motion Picture Association of America rating definition for PG-13: Parents strongly cautioned. Some material may be inappropriate for children under 13.
America has almost 12 million illegal immigrants.
Speaking to a packed multipurpose room at Kyrene Akimel A-al Middle School in Ahwatukee Foothills on Monday, Otto Schimmel told students about his experience in Auschwitz during the Holocaust.
Holocaust survivor Otto Schimmel talks to 8th-graders at Akimel A-al Middle School on Monday, Feb. 25, 2013.
Holocaust survivor Otto Schimmel talks to 8th-graders at Akimel A-al Middle School on Monday, Feb. 25, 2013.
It seems ironic that the title of the movie is "Identity Thief" when its co-stars have such a firm grasp on their well-established screen personae.
Zombies are terrible characters. That’s not to say there haven’t been plenty of good movies featuring zombies like “28 Days Later,” “Shaun of the Dead,” “Zombieland,” and the George A. Romero classics. In those films, however, it was the human characters and their pursuit to endure the zombie apocalypse that kept the audience invested. Unlike vampires or werewolves, zombies have never been blessed with interesting back-stories, individuality, or moral dilemmas. Last summer’s “Chernobyl Diaries” left me asking why couldn’t there be a movie about a mutant/zombie who’s intelligent with character traits and motivation. Jonathan Levine, who previously made the wonderful “50/50,” responds to my question in “Warm Bodies.”
Anthony Ameen knows what it means to have the support of the community as a wounded veteran.
Zombies are terrible characters. That’s not to say there haven’t been plenty of good movies featuring zombies like “28 Days Later,” “Shaun of the Dead,” “Zombieland,” and the George A. Romero classics.
Arizona State University President Michael Crow will receive the Arizona Veterans Hall of Fame Society’s highest award for his support of veterans through his leadership, actions and advocacy.
Another paranoid, delusional letter to the editor (“President Obama’s evil agenda,” by Lawrence J. McLennan III, AFN, Jan. 9) was a comedic recital of untruths and hyperbole without a single fact to back them up, but plenty of bombastic opinions masquerading as truth.
As a dark veil began to sweep over Europe in 1939 — the pale hint of what would come from Nazi rule — a stockbroker from England took a course of action that would save the lives of nearly 700 children.
We have operated My Sisters’ Place in the East Valley since 1985. In that time, we have received generous support from community, especially during the holidays. We are again asking the community to help make the holiday brighter for the women and children of our shelter.
PARC Treasurer Jim Jochim sits down with Allison Hurtado to discuss the Phoenix Loop 202 project ...
Andean Bear Cub Takes First Steps!
It's a boy!! Our Andean bear cub recently had its first check-up with Phoenix Zoo vets. After pat...
Country Thunder - Day 1
Country Thunder Day 1 off to a great start!
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