Team Phoenix, a youth basketball program in Ahwatukee Foothills, will have a Family Fun Movie Night and Raffle Fundraiser on Friday at the AMC Ahwatukee 24, 4915 E. Ray Road.

Q: My son’s laptop was stolen from his college dorm during a party and he had the Find My Mac system setup on it, so he was able to track it to an apartment complex nearby. The problem is that the police said that they need more information to go on as they can’t just start knocking on all the apartment doors. What else can we do? — B

Even though “The Great Gatsby” has gotten the movie treatment several times in the past, no film adaptation has ever really stood out as the definitive version of F. Scott Fitzgerald’s celebrated novel. Director Baz Luhrmann’s film is certainly the most visually arresting interpretation of “The Great Gatsby” ever produced. Catherine Martin, who previous worked with Luhrmann on “Moulin Rouge,” “Romeo + Juliet,” and “Australia,” deserves multiple Oscar nominations for her hyper sets and eye-popping costumes. As wonderful as Luhrmann’s “Great Gatsby” is to look at, the enchanting visuals are also ironically the movie’s downfall. In the midst of the art direction, costumes, and music, the story and characters that made Fitzgerald’s book a classic become a mere afterthought.

Phoenix film makers Marcus A. Stricklin and Sandy Kim, of Future Legends Production, have been invited to the Cannes Short Film Corner for the production of their film, “The Last Dance,” working with children actors from Ahwatukee.

Even though “The Great Gatsby” has gotten the movie treatment several times in the past, no film adaptation has ever really stood out as the definitive version of F. Scott Fitzgerald’s celebrated novel.

If any piece of classic American literature should be depicted on film with wildly decadent and boldly inventive style, it's "The Great Gatsby." After all, who was the character of Jay Gatsby himself if not a spinner of grandiose tales and a peddler of lavish dreams?

“Hi, Mike? I am so glad I got a hold of you. My computer is running so slowly that I turn it on, make coffee, take the dog for a walk, and bake a few dozen cookies then maybe; just maybe the website will be fully loaded. This computer is running terrible! Can you help?”

For the first time ever, drivers of taxi cabs and limousines in Arizona will soon be subject to random drug testing.

In the United States the average kid (age 8-18) spends 7.5 hours a day in front of a screen or on the phone. To counter sedentary living patterns, national physical activity guidelines for youth have been developed. The guidelines call for at least 60 minutes of physical activity each day for children and teens. The guidelines are based on the amount of physical activity necessary to promote good fitness, health, and wellness. Only 29 percent of high school students meet the 60-minute daily guideline and 14 percent don’t do any physical activity that causes them to breathe hard or that increases heart rate on any day during the week.

1. On April 22 around 8:30 p.m. police responded to a call of graffiti at a park in the 13200 block of South 48th Street. Unknown suspects, two adult males between the ages of 20 and 25, were seen spraying paint in the park. An officer located the pavilion and found a can of black spray paint, which was impounded for evidence and DNA analysis.

When you’re a kid summers are for playing in the sprinklers, taking long bike rides and going to the movies with your friends. Cross one of those pastimes off your youngster’s list with the weekly movie series beginning May 27 at Queen Creek Performing Arts Center, 22149 E. Ocotillo Road.

The Norwegian directing team of Joachim Roenning and Espen Sandberg, whose biopic of World War II resistance fighter Max Manus was a huge hit on home turf, have turned to another native hero for "Kon-Tiki." One of the most-vaunted escapades of the 20th century, Thor Heyerdahl's 1947 Peru-to-Polynesia expedition by raft gets glossy big-screen treatment in this efficiently told action-adventure. Delivering visual drama and understated character study, sometimes in disappointingly formulaic fashion, the feature has its incisive moments but falls short as both epic and intimate portrait.

In the galaxy of big-screen superheros — a rather glum lot — Robert Downey Jr.'s Iron Man is the snappy one.

I did it. Even though it might make me the last person in Ahwatukee over the age of 9 to do so, I have a smartphone. It was not a case of desire; the screen on my “vintage” phone was so scratched I couldn’t see it, and it turned out I could get the smartphone and pay $10 less per month. I suspect the kid that sold it to me was like a seedy, back alley pusher — “come on, its even cheaper” — and that a smartphone is gateway technology.

On May 5, 1862, a rag-tag force of vastly outnumbered Mexican soldiers held off well-provisioned French troops backed by heavy artillery in a battle to defend Mexican sovereignty.

There's a siege mentality about Michael Bay's movies, as though viewers are the enemy holed up in a bunker and he's the guy ordering heavy-metal music around-the-clock to wear down our morale and force us to surrender.

With the housing recovery gaining steam, Americans have more incentives to paint up, touch up and otherwise redecorate their homes. But there’s no need to spend willy-nilly.

Arizona State University’s Project Humanities is presenting “An Evening with Riva Yares” April 24 as part of the Project Humanities spring kick-off series, “Heroes, Superheroes, and Superhumans.”

"Oblivion” is another movie that seems better suited for a video game than a motion picture. Watching the characters engage in endless shoot outs and explore vast, abandoned terrains, all you want to do is get your hands on a controller. Since a movie is unequipped with game play, though, you’re forced to sit back and merely observe the story. Then again, most modern video games have more three-dimensional characters and smarter plots than “Oblivion.” This science fiction mystery from director Joseph Kosinski isn’t completely without some good ideas, elevating it above “Transformers” schlock. It’s just unfortunate those ideas never meld into anything that intriguing.

"42” is far from the first movie to explore racial tensions in sports. We’ve seen this subject depicted in other good films like “Remember the Titans” and “Glory Road.” There are plenty of recognizable figures on display here, such as the underdog nobody believed in, the one man willing to take a chance on that underdog, and the ignorant antagonists that wish to see that underdog fail. Familiarity aside, though, “42” executes just about everything wonderfully. This is a good-hearted picture, carried by sincere performances and passionate direction. Not only is it an inspiring story about overcoming prejudice, but an all around rousing baseball movie too.

Plot-twisting puzzlers are a bubble market in the movies these days, with an arms race of "Inception"-like reality reversals that flip like a coin until dizzy audiences lose all interest in how it lands.

Robert Redford does his most compelling work in some time as both actor and director in "The Company You Keep," a tense yet admirably restrained thriller about a fugitive forced out of hiding after 30 years to prove his innocence. Adapted with clarity and intelligence by Lem Dobbs from Neil Gordon's novel, and lent distinguishing heft by its roster of screen veterans, this gripping drama provides an absorbing reflection on the courage and cost of dissent.

Between the two of them, filmmakers Lucien Castaing-Taylor and Véréna Paravel have explored sheepherding in Montana, auto shops and junkyards in Queens and most recently, the fishing industry in the North Atlantic. Their experimental documentary “Leviathan” is both visceral and gritty, in no way spoon-feeding its audience information, but rather, completely immersing them in the gruesome, often dangerous environment aboard a commercial fishing liner.

You may better know her sister, Dakota, from box-office smashes like “War of the Worlds” and “The Twilight Saga,” but 14-year-old Elle Fanning has already made quite a name for herself among the arthouse set, appearing in such acclaimed works as “Babel,” “Somewhere” and “The Curious Case of Benjamin Button.” This month, she takes center stage in a new drama from writer/director Sally Potter entitled “Ginger & Rosa” – a coming-of-age tale set in 1962 London as the threat of the Cuban missile crisis looms overhead.