The mass exodus the last two seasons has people wondering about the level of talent remaining in the Desert Vista football program.

Most of us already realize “normal” is relative. Yet, we are only human. And as such, we can scarcely stop ourselves from the very-human behavior of seizing every available opportunity to try to quantify and define the term.

If you grew up in the early 90s, you probably remember an animated feature from 20th Century Fox called “FernGully: The Last Rainforest.” It was the environmentally-conscious movie every 90s kid saw, and yet, nobody really liked. The film’s intentions might have been good, but even the youngest children seemed to find its blatant green message overly preachy. The fact that “FernGully” was lacking in any interesting characters or magic didn’t help. “Epic,” which was also coincidentally distributed by Fox, is a bit like “FernGully” if it had smarter, more imaginative filmmakers backing it. While it’s not a massive improvement, “Epic” is at least fun, energized, and subtle with its environmental themes.

Cera Hassinan is one of those people who makes others feel uncomfortable with themselves.

It started off as a challenge to celebrate Martin Luther King Day. In our class we were discussing how we could make a difference in the world. There are so many “NO Bullying,” “No Name-Calling,” and “No Hate” programs. They are good, but we felt they were all negative messages. We wanted to do something positive. One of the ways we have found to make a difference is to do a project called “100 Random Acts of Kindness.” Random acts of kindness are random and kind things you do for others. For example, you can hold the door for an elderly person.

Norris Vaughan looked at peace sitting at his desk in the football office after a recent spring football practice.

Students and staff at Kyrene Altadeña Middle School are hosting a fundraiser dinner for their beloved choir teacher this week.

Even though “The Great Gatsby” has gotten the movie treatment several times in the past, no film adaptation has ever really stood out as the definitive version of F. Scott Fitzgerald’s celebrated novel. Director Baz Luhrmann’s film is certainly the most visually arresting interpretation of “The Great Gatsby” ever produced. Catherine Martin, who previous worked with Luhrmann on “Moulin Rouge,” “Romeo + Juliet,” and “Australia,” deserves multiple Oscar nominations for her hyper sets and eye-popping costumes. As wonderful as Luhrmann’s “Great Gatsby” is to look at, the enchanting visuals are also ironically the movie’s downfall. In the midst of the art direction, costumes, and music, the story and characters that made Fitzgerald’s book a classic become a mere afterthought.

In the interest of serving you, our loyal reader – and Ahwatukee resident – better, the Ahwatukee Foothills News is asking for your help!

I’d like to thank Bryan Brinkley (“Richardson’s arguments are absurd,” AFN May 3) for taking the time to respond to the “absurd” arguments in my many gun control articles.

Our family bought a sofa a couple of years ago. It was a frustrating experience. I won’t go into it other than to say when my wife and I finally agreed on one, I thought a burden had been lifted. Then the salesman forces another decision: “So which protection plan do you want?”

Sun Devil and Wildcat fans will get to show their school pride at Florencia Pizza Bistro in Ahwatukee tomorrow during the “Duel in the Desert” fundraiser.

Dillie Nerios is a Florida food stamp recruiter. Her job is to sign up 150 seniors monthly in the Supplemental Nutrition Assistance Program (SNAP).

Dear Mikey,

Darkness can be paralyzing.

I did it. Even though it might make me the last person in Ahwatukee over the age of 9 to do so, I have a smartphone. It was not a case of desire; the screen on my “vintage” phone was so scratched I couldn’t see it, and it turned out I could get the smartphone and pay $10 less per month. I suspect the kid that sold it to me was like a seedy, back alley pusher — “come on, its even cheaper” — and that a smartphone is gateway technology.

The latest release from Philadelphia guitarist- songwriter Kurt Vile is a 69-minute double LP of lengthy, languid meditations on the everyday and beyond. The songs unwind slowly, their charms leaving imprints on the way back around.

Izzy Marshall’s football career at Arizona State is over before it ever really got started.

Having observed the failure of our education system by dumbing-down our children for the past 50 years, concern has to be expressed about the “new” Common Core State Standards Initiative (CCSSI).

Just about all the actors in “The Big Wedding” are severely typecast. Diane Keaton is a high-strung, divorced mother like in “Something’s Gotta Give,” Robert De Niro is the father of somebody getting married like in “Meet the Fockers,” Amanda Seyfried is a blushing bride like in “Mamma Mia,” Robin Williams is an eccentric minister like in “License to Wed,” Topher Grace is a deadpan, quick-witted nice guy like in “That ‘70s Show,” and Katherine Heigl is a needy single woman like in every movie she does. Even though the actors are in their comfort zones, not a single person feels natural in “The Big Wedding.” That’s probably because the film doesn’t understand its own characters or their motivations. Nobody behind the camera has any idea what they’re doing, resulting in one of the most awkward romantic comedies of recent memory.

In the wake of last week’s tragedy in Boston, what are the images that stayed with you? The pillowing smoke? Blood on the streets? Shell-shocked victims in wheelchairs? Our hearts have been broken again. And since the footage is shown over and over, we’re traumatized each time, just like when the twin towers burned on 9/11.

"It’s been 10 years, now,” the strong voice said on the phone. Mari Justin is a breast cancer survivor. She, along with hundreds of thousands of breast cancer veterans have faced the demons and now crusade alongside those who are fresh on the battlefield.

Students in Kevin Willis’ brief calculus class are learning more than just numbers this year.

"42” is far from the first movie to explore racial tensions in sports. We’ve seen this subject depicted in other good films like “Remember the Titans” and “Glory Road.” There are plenty of recognizable figures on display here, such as the underdog nobody believed in, the one man willing to take a chance on that underdog, and the ignorant antagonists that wish to see that underdog fail. Familiarity aside, though, “42” executes just about everything wonderfully. This is a good-hearted picture, carried by sincere performances and passionate direction. Not only is it an inspiring story about overcoming prejudice, but an all around rousing baseball movie too.

As we survey the panoply of absurd ideas our legislators, both state and national, face from special interest groups these days, we have to wonder what has become of that rare commodity: common sense.