Tempe Police officers arrested a 15-year-old student from Mountain Pointe High School on Monday after connecting him to an online bomb threat last week.

A lacrosse stick is a simple piece of equipment: a metal pole, a plastic head and some coarse netting.

Fellow senior and girlfriend Tina Trujillo was waiting in her living room with her sister, parents, and other family when Campbell arrived.

"Now you're almost as tall as me," said Diedrich, teasing Cook about her height after she put on her heels.

Just about all the actors in “The Big Wedding” are severely typecast. Diane Keaton is a high-strung, divorced mother like in “Something’s Gotta Give,” Robert De Niro is the father of somebody getting married like in “Meet the Fockers,” Amanda Seyfried is a blushing bride like in “Mamma Mia,” Robin Williams is an eccentric minister like in “License to Wed,” Topher Grace is a deadpan, quick-witted nice guy like in “That ‘70s Show,” and Katherine Heigl is a needy single woman like in every movie she does. Even though the actors are in their comfort zones, not a single person feels natural in “The Big Wedding.” That’s probably because the film doesn’t understand its own characters or their motivations. Nobody behind the camera has any idea what they’re doing, resulting in one of the most awkward romantic comedies of recent memory.

Just about all the actors in “The Big Wedding” are severely typecast. Diane Keaton is a high-strung, divorced mother like in “Something’s Gotta Give,” Robert De Niro is the father of somebody getting married like in “Meet the Fockers,” Amanda Seyfried is a blushing bride like in “Mamma Mia,” Robin Williams is an eccentric minister like in “License to Wed,” Topher Grace is a deadpan, quick-witted nice guy like in “That ‘70s Show,” and Katherine Heigl is a needy single woman like in every movie she does. Even though the actors are in their comfort zones, not a single person feels natural in “The Big Wedding.” That’s probably because the film doesn’t understand its own characters or their motivations. Nobody behind the camera has any idea what they’re doing, resulting in one of the most awkward romantic comedies of recent memory.

Plot-twisting puzzlers are a bubble market in the movies these days, with an arms race of "Inception"-like reality reversals that flip like a coin until dizzy audiences lose all interest in how it lands.

This weekend marks Josh Mendoza’s first time to have a film screening at the Phoenix Film Festival, but there’s a hunch that this is just the start for the Ahwatukee Foothills native.

"The Sapphires" is missing a lot — detailed characters, a unique narrative arc, half-plausible scenes of the Vietnam War — but it's got two uncommon things going for it: genuine charm and Chris O'Dowd. They are not mutually exclusive.

"Blood-drenched" barely begins to describe Fede Alvarez's remake of "Evil Dead," a gore-for-broke affair that strips the flesh off Sam Raimi's cult-beloved comic-horror franchise and exposes the demons at its core. The presence of Raimi, original collaborator Rob Tapert, and star Bruce Campbell as producers should give the faithful permission to attend what would otherwise smell like a shameless exploitation of the 1981 film, but the high production values and nonstop action offered here should also please younger genre fans who've never bothered to rent it.

In case you missed it, today is César Chávez Day.

No public figure has clearly articulated the true lesson from the 10th anniversary of the disastrous Iraq War. That lesson is a matter of logic. In weighing the war’s costs and benefits, we reversed the burden of proof. The war’s proponents should have been presumed guilty until proven innocent. Instead, the Bush Administration reversed that proper criterion, generally supported by the national press in placing the burden on skeptics.

DreamWorks Animation has always strived to tell stories that can appeal to all ages. Its latest animated comedy, “The Croods,” will surely be enjoyed by anybody who is under 10. Unlike “Shrek” and “Kung-Fu Panda” though, it lacks the wit and innovation for older audiences. Compared to most Saturday morning cartoons, the film won’t passionately annoy parents who get dragged to the theater. But in an era where more and more adults are attending animated features without accompanying children, “The Croods” feels like a step backwards for DreamWorks.

The walls are white, the chairs are plastic, and the smiles are few. As you head down a hallway, cell blocks to the left and a gated recreation area at right, hearing bursts of laughter and lively chatter coming from a small room in front of you is slightly jarring, especially seeing as the boisterous classroom is inside Estrella Women’s Jail in central Phoenix.

Cavemen — they're just like us! — or so "The Croods" seems to be saying with its familiar mix of generational clashes, coming-of-age milestones and generally relatable laughs.

DreamWorks Animation has always strived to tell stories that can appeal to all ages. Their latest animated comedy, “The Croods,” will surely be enjoyed by anybody who is younger than 10. Unlike “Shrek” and “Kung-Fu Panda” though, it lacks the wit and innovation for older audiences. Compared to most Saturday morning cartoons, the film won’t passionately annoy parents that get dragged to the theater. But in an era where more and more adults are attending animated features without accompanying children, “The Croods” feels like a step backwards for DreamWorks.

What should be a hilarious, long-overdue pairing of two hugely likable, superstar comedians ends up being a major disappointment with "Admission."

There’s a simple reason why Chandler’s SanTan Brewing Company decided to build a brand new brewing facility — and it’s one that appears to be a good sign for progress of this particular East Valley beverage business.

Danielle Block pitches hungry.

The amount of emotion that poured out of Rachel Ressler nearly matched the sweat and dedication she put into her Desert Vista soccer career.

The only incredible thing about "The Incredible Burt Wonderstone" is that way it makes Steve Carell so thoroughly and irreparably unlikable. In a film about magic tricks, this is the most difficult feat of all.

Assumptions were made, jokes were told and Larry Holmes' confidence was shaken.

America has almost 12 million illegal immigrants.

For Horizon Honors senior Stephanie Yamamoto, 17, Japanese taiko drumming is more than just rigorous exercise or a way to get in touch with her roots — it’s a spiritual art.

In recent years, there have been some really good Oscar hosts like Hugh Jackman, some acceptable hosts like John Stewart, some disappointing hosts like Steve Martin & Alec Baldwin, and some flat-out horrendous hosts like James Franco & Anne Hathaway. Despite the best efforts of some, none have come close to capturing the same wit, timing, and showmanship of reoccurring hosts like Bob Hope, Johnny Carson, or Billy Crystal. At the 85th Annual Academy Awards ceremony however, Seth MacFarlane of “Ted” and “Family Guy” emerged as the single most entertaining first-time Oscar host of the 21st century.