On paper, J.J. Abrams’ 2009 “Star Trek” is one of those movies that should have crashed and burned. A reboot of a beloved franchise with younger, lesser-known actors stepping into the shoes of an iconic cast of characters. The fact that Abrams went on record stating that he was never a huge “Star Trek” fan didn’t bode well either. Against all odds, though, Abrams not only produced a great “Star Trek” picture, but quite possibly the best “Star Trek” ever made. That’s right, even better than “Star Trek II: The Wrath of Khan.”

A lacrosse stick is a simple piece of equipment: a metal pole, a plastic head and some coarse netting.

The people of "Peeples" make a better impression than most collections of oddballs in the weary mold of comedies centered on meeting the prospective in-laws.

Just about all the actors in “The Big Wedding” are severely typecast. Diane Keaton is a high-strung, divorced mother like in “Something’s Gotta Give,” Robert De Niro is the father of somebody getting married like in “Meet the Fockers,” Amanda Seyfried is a blushing bride like in “Mamma Mia,” Robin Williams is an eccentric minister like in “License to Wed,” Topher Grace is a deadpan, quick-witted nice guy like in “That ‘70s Show,” and Katherine Heigl is a needy single woman like in every movie she does. Even though the actors are in their comfort zones, not a single person feels natural in “The Big Wedding.” That’s probably because the film doesn’t understand its own characters or their motivations. Nobody behind the camera has any idea what they’re doing, resulting in one of the most awkward romantic comedies of recent memory.

The progression of the Desert Vista softball program took another big step.

It’s been nearly 10 years since his science-fiction indie “Primer” left audiences spellbound, which makes the arrival of Shane Carruth’s “Upstream Color” an even more momentous occasion.

Just about all the actors in “The Big Wedding” are severely typecast. Diane Keaton is a high-strung, divorced mother like in “Something’s Gotta Give,” Robert De Niro is the father of somebody getting married like in “Meet the Fockers,” Amanda Seyfried is a blushing bride like in “Mamma Mia,” Robin Williams is an eccentric minister like in “License to Wed,” Topher Grace is a deadpan, quick-witted nice guy like in “That ‘70s Show,” and Katherine Heigl is a needy single woman like in every movie she does. Even though the actors are in their comfort zones, not a single person feels natural in “The Big Wedding.” That’s probably because the film doesn’t understand its own characters or their motivations. Nobody behind the camera has any idea what they’re doing, resulting in one of the most awkward romantic comedies of recent memory.

Brantley Bell shared a funny story about the 2001 World Series.

"It’s been 10 years, now,” the strong voice said on the phone. Mari Justin is a breast cancer survivor. She, along with hundreds of thousands of breast cancer veterans have faced the demons and now crusade alongside those who are fresh on the battlefield.

An Ahwatukee Foothills native’s life-long love for soccer skyrocketed to professional heights last August, when he became the first amateur player to sign a professional contract from Premier Development League club FC Tucson.

He has given standout performances in the likes of “The Big Lebowski,” “Crazy Heart” and “True Grit,” but Oscar-winner Jeff Bridges’ enormous talent doesn’t stop there. His illustrious resume runs the gamut from musician to author to humanitarian, which begs the question: Is there anything he can’t do?

Anyone who saw “Scream 4” likely remembers the scene where Hayden Panettiere lists off every horror remake to come out in the past decade, from “Halloween” to “Friday the 13th.” So many of these remakes failed due to a lack of passion on the filmmaker’s behalf. Making a good movie was only their second priority, right after cashing in on an exhausted franchise’s good name. The new “Evil Dead” movie is the rare exception. It’s obvious that director/screenwriter Fede Alvarez has great admiration for Sam Raimi’s beloved cult classic. Along with co-writers Diablo Cody and Rodo Sayagues, Alvarez produces the best contemporary “Evil Dead” movie possible.

Children will listen to other children in a way they don’t to adults, says Bobb Cooper — and he’s hoping an awful lot of them get to do just that over the next two weeks.

The transition to a new coach is never as simple as the athletic director and principal introducing the new leader of the program to the players.

Up there with “Stoker” and “Like Someone in Love” as one of the best films to hit theaters this spring, “War Witch” is devastating, beautiful and truly not to be missed. An Oscar nominee for Best Foreign Language Film, this gut-wrenching tale of a child soldier has been reeling in the accolades: Best Actress awards for young star Rachel Mwanza at both the Berlin and Tribeca film festivals, along with a whopping 10 honors (including Best Picture) at this year’s Canadian Screen Awards.

It was nearly the storybook ending everyone at Desert Vista thought was possible.

“The Incredible Burt Wonderstone” starts off with a recipe for grade-A comedy. The cast includes names such as Steve Carell, Steve Buscemi, Alan Arkin, James Gandolfini, and Jim Carrey. The director is Don Scardino of “30 Rock” while Jonathan M. Goldstein and John Francis of “Horrible Bosses” penned the screenplay. The premise regarding rivaling magicians offers endless comedic possibilities. So how is it that the final product is just mediocre?

‘The Incredible Burt Wonderstone” starts off with a recipe for grade-A comedy. The cast includes names such as Steve Carell, Steve Buscemi, Alan Arkin, James Gandolfini and Jim Carrey. The director is Don Scardino of “30 Rock,” while Jonathan M. Goldstein and John Francis of “Horrible Bosses” penned the screenplay. The premise regarding rivaling magicians offers endless comedic possibilities. So how is it that the final product is just mediocre? It’s probably because the audience has to be constantly caught off guard in order for a magic show or comedy to succeed. In “The Incredible Burt Wonderstone,” the audience can pretty much predict everything that’s going to happen. This subtracts the elements of surprise and humor from the equation.

The only incredible thing about "The Incredible Burt Wonderstone" is that way it makes Steve Carell so thoroughly and irreparably unlikable. In a film about magic tricks, this is the most difficult feat of all.

It’s no surprise that Chelsea Bain has been attending NASCAR races since she was 5 years old. Her dad, Emmett “Buddy” Jobe, brought NASCAR to Phoenix International Raceway in 1987. Now, Bain is more involved in NASCAR than she ever has been, but not as a spectator — as a rockin’ country musician.

Jim Heath doesn't worry that his style of music will go out of style.

So, despite my best efforts to resist self-improvement (I bought a self-help book on how to avoid it), I finally had to bite the bullet one day and address my weight when I realized that: a) I was 53 years old; b) my knees were making funny popping noises when I walked up stairs; and c) me in a bathing suit currently violates six zoning ordinances.

Remember how director Todd Phillips just half-heartedly remade “The Hangover” in “The Hangover Part II?” Remember how lethargic, lame, and tedious it felt having to sit through the same movie over again with fewer laughs? That’s the best way to describe “21 and Over.” The film marks the directorial debut of Jon Lucas and Scott Moore, the writing team behind the original “Hangover.” They’ve basically recycled their smash hit comedy beat for beat. Where “The Hangover Part II” at least had three laugh-out-loud moments though, there’s nothing even remotely funny in “21 and Over.” It’s a comedic dead zone from its opening scene all the way through.

Have you ever wanted to see some of your favorite “Saturday Night Live” performers on stage? Well, “SNL” fans can now rejoice because Chandler Center for the Arts is hosting three veterans: Tim Meadows, Jon Lovitz and Chris Kattan, for a one-night comedy performance this Friday.

In recent years, there have been some really good Oscar hosts like Hugh Jackman, some acceptable hosts like John Stewart, some disappointing hosts like Steve Martin & Alec Baldwin, and some flat-out horrendous hosts like James Franco & Anne Hathaway. Despite the best efforts of some, none have come close to capturing the same wit, timing, and showmanship of reoccurring hosts like Bob Hope, Johnny Carson, or Billy Crystal. At the 85th Annual Academy Awards ceremony however, Seth MacFarlane of “Ted” and “Family Guy” emerged as the single most entertaining first-time Oscar host of the 21st century.