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It’s hard to imagine anyone not liking Disney. Sure, many of us go through a phase where we think we’re too old and sophisticated for Mickey Mouse. This typically leads to our pretentious cynic phase in which our college professors open our eyes to all the stereotypes and “hurtful ethics” Disney has endorsed over the years. Films like “Escape from Tomorrow” haven’t exactly helped the company’s image either. At the end of the day, though, nobody can outrun the magic, good will, and sheer lovability attached to Disney. There isn’t a cold-hearted soul that can’t be completely won over by the mouse house … except maybe P.L. Travers, the author of “Mary Poppins.”
This is a simple yet delicious meal and one of my favorites. A cast iron skillet is my preference, however, it works well in any oven-safe pan. I like to add root vegetables to the pan, including carrots and potatoes, seven ingredients, 1 1/2 hours later, dinner is served.
Festive light displays are never far away in Ahwatukee Foothills.
As you know, or if you don’t know, I’ll tell you this: “The Velveteen Rabbit” play is a Christmas story.
Disney will be visiting Ahwatukee Foothills this Thursday, Dec. 12, and hosting an open audition to find musical theater performers for its Disney Cruise Line.
Even after three decades, the triple-dog dare doesn’t get old.
A true story made headlines Nov. 4. A trove of approximately 1,500 works of art confiscated by the Nazis in World War II were seized in a Munich apartment. The value was estimated to be $1.3 billion by artists such as Picasso, Matisse and Chagall. The news goes on to say that determining the rightful owners of the works decades after they were either sold under duress or seized could take years.
“The Nutcracker” ballet” in Ahwatukee Foothills has been refreshed and reworked for its 14th year but the new changes have only added to the magic, according to Dance Studio 111 owner Kimberly Lewis.
Students at Kyrene Akimel A-al Middle School will showcase “You’re a Good Man, Charlie Brown,” showing the average day in the life of Charlie Brown and the Peanuts gang.
Back in 2012, while filming “The Best Man Holiday,” Morris Chestnut and Nia Long became increasingly nostalgic.
Jessica Cooper, a senior at Desert Vista High School, is preparing for her upcoming competition where she will be competing for the 2014 Miss Teen Arizona USA Pageant crown.
It seems quite apt that "The Best Man Holiday," a film about a reunion of old friends, feels just like going to an actual reunion. In ways both bad and good.
Not all costumes are created equal, and there aren’t many as elaborate or amazing as those on display in “The Lion King,” on stage at ASU Gammage through Nov. 17. The magnificent costumes depict a variety of life in the African jungle — the sleek leopard, the leaping antelope, the lumbering elephant and the roaring lion — and each one is more fantastic than the last, especially when they parade down the aisles in the opening sequence of “The Circle of Life.”
Somewhere deep into "The Counselor," I found myself mesmerized by a metaphysical monologue from one of the characters — someone who sounded strikingly similar to my college philosophy professor — and trying to figure out exactly what he meant, and how it related to the person he was saying it to.
Childsplay, Arizona’s professional theatre company for children and their families, will host Tea Time with the Velveteen Rabbit on Sunday, Dec. 1, at Tempe Center for the Arts.
As creaky as an arthritic hip, "Last Vegas" does for four leading stars of the '70s and '80s what movies like "Tough Guys" and "Grumpy Old Men" did for survivors of Hollywood's storied Golden Age: It lets them show they can still throw a punch, bust a move, and get it on, and that they're not quite ready for the Motion Picture Home just yet. Beyond that, this genteel "Hangover" for the AARP crowd has little to recommend it, though a smattering of funny gags and the nostalgia value of the cast keeps the whole thing more watchable than it has any right to be.
An anti-bullying allegory writ on the largest possible scale, "Ender's Game" frames an interstellar battle between mankind and pushy ant-like aliens, called Formics, in which Earth's fate hinges on a tiny group of military cadets, most of whom haven't even hit puberty yet. At face value, the film presents an electrifying star-wars scenario — that rare case where an epic space battle transpires entirely within the span of two hours — while at the same time managing to deliver a higher pedagogical message about tolerance, empathy and coping under pressure. Against considerable odds, this risky-sounding Orson Scott Card adaptation actually works, as director Gavin Hood pulls off the sort of teen-targeted franchise starter Summit was hoping for.
Is it possible to convey, through the experience of just one man, the sweep and enormity of the horror that was American slavery?
The Founding Fathers certainly didn’t agree on everything, but when it came to a public education, a seriously radical idea at the time, they were of one mind.
HERE: Craft sale at Pecos Senior Center Oct. 25
New York City has a zillion charms, but it may not be the ideal place to celebrate Halloween. Here’s the problem — where do you display your jack-o’-lantern if you live in an apartment building with no porch?
What was once viewed with disdain is now being widely accepted.
Seven years ago, director Paul Greengrass gave us “United 93.” Greengrass’ vision was bold and pulled no punches, easily making it the best post-9/11 film to date. Everything Greengrass brought to the table in “United 93” is displayed in “Captain Phillips.” This is another intensely shot, authentically edited true story about ordinary people forced to step up during a catastrophe. Is it the masterpiece that “United 93” was? Not quite, but that’s a really tough act to beat.
Robert Rodriguez's "Machete Kills" is a sequel based on an end-credits joke from a film that was itself based on a joke trailer contained within a half-joke grindhouse homage. Exactly how many degrees such an endeavor is removed from anything resembling serious cinema would require Jean Baudrillard to calculate, yet for more immediate filmgoing purposes, all there is to see here is a surprisingly long-lived gag finally running out of gas. As violent as its predecessor yet noticeably duller and less outrageous, "Machete Kills" is dragged to the finish line entirely by its director's madcap energy and an absurd cast of major stars in strange cameos.