If you grew up in the early 90s, you probably remember an animated feature from 20th Century Fox called “FernGully: The Last Rainforest.” It was the environmentally-conscious movie every 90s kid saw, and yet, nobody really liked. The film’s intentions might have been good, but even the youngest children seemed to find its blatant green message overly preachy. The fact that “FernGully” was lacking in any interesting characters or magic didn’t help. “Epic,” which was also coincidentally distributed by Fox, is a bit like “FernGully” if it had smarter, more imaginative filmmakers backing it. While it’s not a massive improvement, “Epic” is at least fun, energized, and subtle with its environmental themes.

Near the end of Equestrian Trail's winding road in Ahwatukee, nearly 80 students along with parents, family and other friends met at fellow senior Kyndall Johnston's home.

With the onslaught of Oscar contenders that debuted last November, there’s a good chance that a little-seen indie gem, “Starlet,” managed to fall off your radar during its short, theatrical run. Winner of the Special Jury Prize at the 2011 SXSW film festival, “Starlet” explores the unlikely friendship between a cheerful, aspiring actress (played by the winsome Dree Hemingway) and a cantankerous, elderly widow (the late Besedka Johnson).

By the time a client parks their car and walks up to the front doors of Harvest of Tempe, the southeast Valley’s only medical marijuana dispensary, he or she, their license plate, and their car have all been caught on camera.

If any piece of classic American literature should be depicted on film with wildly decadent and boldly inventive style, it's "The Great Gatsby." After all, who was the character of Jay Gatsby himself if not a spinner of grandiose tales and a peddler of lavish dreams?

A smattering of butterflies have flitted through my yard this spring, loitering briefly around the lantana and aloe stalks before moving on to lusher landscapes. Those fleeting backyard glimpses are nothing compared to the up-close and personal look you get at hundreds of butterflies inside The Marshall Butterfly Pavilion at Desert Botanical Garden.

The Norwegian directing team of Joachim Roenning and Espen Sandberg, whose biopic of World War II resistance fighter Max Manus was a huge hit on home turf, have turned to another native hero for "Kon-Tiki." One of the most-vaunted escapades of the 20th century, Thor Heyerdahl's 1947 Peru-to-Polynesia expedition by raft gets glossy big-screen treatment in this efficiently told action-adventure. Delivering visual drama and understated character study, sometimes in disappointingly formulaic fashion, the feature has its incisive moments but falls short as both epic and intimate portrait.

Just about all the actors in “The Big Wedding” are severely typecast. Diane Keaton is a high-strung, divorced mother like in “Something’s Gotta Give,” Robert De Niro is the father of somebody getting married like in “Meet the Fockers,” Amanda Seyfried is a blushing bride like in “Mamma Mia,” Robin Williams is an eccentric minister like in “License to Wed,” Topher Grace is a deadpan, quick-witted nice guy like in “That ‘70s Show,” and Katherine Heigl is a needy single woman like in every movie she does. Even though the actors are in their comfort zones, not a single person feels natural in “The Big Wedding.” That’s probably because the film doesn’t understand its own characters or their motivations. Nobody behind the camera has any idea what they’re doing, resulting in one of the most awkward romantic comedies of recent memory.

Say cheese! Mary Ciesynski wants to take Ahwatukee’s picture.

When one thinks of the Holocaust film genre, dramas such as “Schindler’s List” and “The Pianist” instantly come to mind for their harrowing portrayals of victims and survivors who suffered at the hands of Nazis. But what about the German survivors – more specifically, the children of Nazi war criminals forced to come to terms with the atrocities of their parents? This is a question posed by the exceptional new German-language film, “Lore,” Cate Shortland’s follow-up to her acclaimed 2004 feature “Somersault.”

Just about all the actors in “The Big Wedding” are severely typecast. Diane Keaton is a high-strung, divorced mother like in “Something’s Gotta Give,” Robert De Niro is the father of somebody getting married like in “Meet the Fockers,” Amanda Seyfried is a blushing bride like in “Mamma Mia,” Robin Williams is an eccentric minister like in “License to Wed,” Topher Grace is a deadpan, quick-witted nice guy like in “That ‘70s Show,” and Katherine Heigl is a needy single woman like in every movie she does. Even though the actors are in their comfort zones, not a single person feels natural in “The Big Wedding.” That’s probably because the film doesn’t understand its own characters or their motivations. Nobody behind the camera has any idea what they’re doing, resulting in one of the most awkward romantic comedies of recent memory.

Local chefs featured on the Eight, Arizona PBS show “Check, Please! Arizona” gather at the inaugural Check, Please! Arizona Festival, where fans and foodies can sample some of the Valley’s best restaurant fare and audition for upcoming episodes of the show. Cuisine from at least 36 of the independent restaurants – from five-star dining establishments to tucked-away cafes – previously featured on the show will be offered.  Among event highlights are cooking demonstrations, panel discussions and the chance to audition in front of cameras.

Plot-twisting puzzlers are a bubble market in the movies these days, with an arms race of "Inception"-like reality reversals that flip like a coin until dizzy audiences lose all interest in how it lands.

Anyone who saw “Scream 4” likely remembers the scene where Hayden Panettiere lists off every horror remake to come out in the past decade, from “Halloween” to “Friday the 13th.” So many of these remakes failed due to a lack of passion on the filmmaker’s behalf. Making a good movie was only their second priority, right after cashing in on an exhausted franchise’s good name. The new “Evil Dead” movie is the rare exception. It’s obvious that director/screenwriter Fede Alvarez has great admiration for Sam Raimi’s beloved cult classic. Along with co-writers Diablo Cody and Rodo Sayagues, Alvarez produces the best contemporary “Evil Dead” movie possible.

Between the two of them, filmmakers Lucien Castaing-Taylor and Véréna Paravel have explored sheepherding in Montana, auto shops and junkyards in Queens and most recently, the fishing industry in the North Atlantic. Their experimental documentary “Leviathan” is both visceral and gritty, in no way spoon-feeding its audience information, but rather, completely immersing them in the gruesome, often dangerous environment aboard a commercial fishing liner.

Arizona cities that want to place or keep photo enforcement cameras on state roads are going to have to prove they do more than generate fines.

Week of March 25 through April 1

Riveting, intelligent and a masterclass in acting, “Beyond the Hills” is likely to be the best film you’ll see this spring or maybe even this year.

The first image you see in "The Place Beyond the Pines" is of Ryan Gosling's shirtless torso, ripped and tatted atop a skin-tight pair of leather pants.

"Blood-drenched" barely begins to describe Fede Alvarez's remake of "Evil Dead," a gore-for-broke affair that strips the flesh off Sam Raimi's cult-beloved comic-horror franchise and exposes the demons at its core. The presence of Raimi, original collaborator Rob Tapert, and star Bruce Campbell as producers should give the faithful permission to attend what would otherwise smell like a shameless exploitation of the 1981 film, but the high production values and nonstop action offered here should also please younger genre fans who've never bothered to rent it.

Q: I saw your video on how to turn off in-app purchases (http://youtu.be/9P4wFB6d7gM), but what if I want to allow my son to buy age appropriate items on his iPod touch, but limit how much he can spend? — Daniel

Grand Opening Hours: Thursday through Sunday, April 4-7, 9 a.m to 9 p.m.